National Gallery of Art Acquires Important Collection of American Civil War Photographs

Matthew W. Brady, General WS Hancock and Staff, June 1864 | National Gallery of Art, Financial Gift from Diana and Mallory Walker, 2025.44.8

The National Gallery of Art has announced a major expansion of its collection, including an important group of early American photographs from the Civil War.

Among the National Gallery of Art’s collection are approximately 35 19th-century Civil War photographs that greatly enhance the Gallery’s original photographic collection. Famous Civil War actors on stage include George N. Barnard, Alexander Gardner, Matthew Brady, and Andrew Joseph Russell.

A large crowd gathers outside the government building for the event, with people standing on the steps and balconies. An American flag hangs nearby, and a speaker addresses the audience from the stage.
Alexander Gardner, Lincoln’s Second Inauguration, March 4, 1865 | National Gallery of Art, Financial Gift from Ronald M. Costell, MD and Estate of Marsha E. Swiss, 2025.44.20

Featured in this collection is Gardner’s photograph of Abraham Lincoln’s second inauguration on March 4, 1865, at the US Capitol, capturing the scene during the rain and wind of war. After moving to Scotland, Gardner settled in Washington, DC, where he managed the American art studio Mathew Brady. Gardner began photographing in the 1850s and is best known for his Civil War portraits, from the everyday lives of soldiers to battlefields and ruins.

Seven Civil War soldiers in uniform stand around a large cannon in a grassy field, with several tents visible in the background. Others lean in a random manner against cannon wheels.
American 19th Century Man Gun Crew, c. 1863 | National Gallery of Art, Financial Gift from W. Bruce and Delaney H. Lundberg, 2025.44.11
Black and white photograph of a 19th century scene with ruined stone buildings, many steam trains, and people standing by and around them; city ​​buildings and cloudy sky in the background.
George N. Barnard, City of Atlanta, Georgia, No. 1, 1864 | National Gallery of Art, Financial Gift from Diana and Mallory Walker, 2026.1.47

Gardner’s photograph of a crowd gathered to witness Lincoln’s second inauguration was taken just a month before Robert E. Lee’s surrender and Lincoln’s assassination. On that day, one of the largest inauguration crowds to date braved incessant rain and strong winds. According to historical accounts, when Lincoln rose to speak, the clouds reportedly parted, and sunlight illuminated the ceremony – a moment that witnesses remembered for years. Later that year, Gardner was given special Secret Service access to photograph the conspirators involved in the Lincoln assassination and their executions.

A large crowd gathers outside the large pillared building on a winter day, many wearing coats and hats. Leafless trees and more buildings are visible in the background.
Second Inauguration of Henry F. Warren Lincoln, March 4, 1865 | National Gallery of Art, Financial Gift from W. Bruce and Delaney H. Lundberg, 2025.44.16
A black-and-white photo shows a Civil War-era military camp with tents spread across a field. In front, there are large cannons placed behind sandbags and earthworks. Trees surround the camp in the distance.
George N. Barnard, Rebel Works before Atlanta, Georgia (No. 3), 1865 | National Gallery of Art, Financial Gift from W. Bruce and Delaney H. Lundberg, 2025.44.13
Six men in Civil War-era military uniforms form a formal portrait. Three are sitting in front holding swords, while three are standing behind them. The American flag is slightly visible in the background.
Louisiana American 19th Century Guards, c. 1862 | National Gallery of Art, Financial Gift from W. Bruce and Delaney H. Lundberg, 2025.44.12

The National Gallery of Art’s acquisition also includes more than 140 photographs from the 20th and 21st centuries, featuring the work of American, Canadian, Czech, Dutch, French, German, Hungarian, Japanese, Mexican and Russian photographers. Highlights include contemporary photography by Ilse Bing, Florence Henri, Albert Renger-Patzsch, and Josef Sudek. In addition, the Gallery acquired Sebastião Salgado’s Genesis portfolio (2004–2011), a series of 50 platinum prints documenting human activity, conflict and nature, enhancing the Gallery’s portfolio of his work.

A group of people stand on and around a dilapidated wooden bridge over a river, with fallen parts and debris in the water, surrounded by bare trees and rocky cliffs.
Andrew Joseph Russell, Bull Run Bridge Repairs, 1863 | National Gallery of Art, Financial Gift from W. Bruce and Delaney H. Lundberg, 2026.1.8

“As managers of national collections, we are proud to continue to expand our activities with important works that tell new stories and deepen our collection across mediums, highlighting the progress of art throughout history and promoting the continuous creativity of contemporary artists,” E. Carmen Ramos, chief officer of care and conservation, says in a statement. “This group of goods combines historically important works with the work of artists who continue to create artistic dialogue, expanding the important parts of our collection, especially in the fields of photography and sculpture.”


Image credits: All images are courtesy of the National Gallery of Art.

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